![]() At 63 minutes in is the first time we're introduced to this pulsing electronic song with a driving beat that sticks out like a sore thumb amongst the string score throughout the rest of the movie. There are a couple of music cues that are just really jarring and take you out of the movie. A lot of them plainly miss the point of the film, for me. There are many other efforts in this film that I read as making it try to seem "darker", "more adult", and "cooler". So all the color correction here looks great, but I actually don't much care. It's fine for each film to have a bit of a different feel, and it's especially fine for them to be lighter and more whimsical as Harry is younger and his story is less intense. But I don't think that the warmer tones in scenes of the other HP films need to all be color corrected just to match PoA. It definitely LOOKS the coolest, and the darker visual tone of the film is very fitting for kids entering their mid-teens. ![]() Sadly, however, I did not find that this edit managed that same balance, for a couple of key reasons.įirst, let me say that I am not someone who worships The Prisoner of Azkaban an thinks it's a perfect movie. I enjoyed Andreas' "Revisited" cut of The Sorcerer's Stone, which although not perfect, was a very appealing edit that did make the film feel less like a kids' movie and more in keeping with later films.
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